Paradigms of Cinema Communication – Constellations in the Field of Cinema Art

Irina Kitova
South-West University “Neofit Rilski” (Bulgaria)

Abstract. Determining the structuring models of communication in the plane of cinema art – the paradigms of communication in the field of art that mediate not only the interactions in the ‘author-film-audience’ relation but also function as implicit premises, both in the creation of a film and the establishment of its expressional, emotional and meaning consistency, and in its being perceived, experienced and understood by each separate viewer, as well as by the audience as a whole – would contribute to the restored legitimacy of cinema as an art in the current informational and cultural contexts.

Keywords: paradigms; communications; cinema; author; audience

Свързани статии:

Боевете за Катовице през септември 1939 г. Между легендата и действителността Self-Assessment – a Component of the Competence-Based Training in the Profession “Applied Programmer” Implementation of Motor Complexes Based on Specialized Application System Blaze-pod Trainer Трудният просперитет: недоволството и противниците на зърнения бум от 1846 – 1847 г. в османските Балкани