Paradigms of Cinema Communication – Constellations in the Field of Cinema Art

Irina Kitova
South-West University “Neofit Rilski” (Bulgaria)

Abstract. Determining the structuring models of communication in the plane of cinema art – the paradigms of communication in the field of art that mediate not only the interactions in the ‘author-film-audience’ relation but also function as implicit premises, both in the creation of a film and the establishment of its expressional, emotional and meaning consistency, and in its being perceived, experienced and understood by each separate viewer, as well as by the audience as a whole – would contribute to the restored legitimacy of cinema as an art in the current informational and cultural contexts.

Keywords: paradigms; communications; cinema; author; audience

Свързани статии:

The Fight for Katowice in September 1939. Between the Legend and the Reality Self-Assessment – a Component of the Competence-Based Training in the Profession “Applied Programmer” Implementation of motor complexes based on specialized application system blaze-pod trainer Tough Prosperity: Discontent and Opponents of the Grain Boom of 1846 – 1847 in the Ottoman Balkans