{"id":89410,"date":"2011-08-24T13:55:13","date_gmt":"2011-08-24T10:55:13","guid":{"rendered":"https:\/\/azbuki.bg\/?p=89410"},"modified":"2025-09-05T16:48:28","modified_gmt":"2025-09-05T13:48:28","slug":"sp-chuzhdoezikovo-obuchenie-knizhka-4-2011","status":"publish","type":"post","link":"https:\/\/press.azbuki.bg\/en\/languages\/sadarzhanie-na-sp-chuzhdoezikovo-obuchenie-2011-g\/sp-chuzhdoezikovo-obuchenie-knizhka-4-2011\/","title":{"rendered":"Foreign Language Teaching, Number 4\/2011, Volume 38"},"content":{"rendered":"<h3>On Translations of Films in the Light of Speech Acts<\/h3>\n<p><strong>Stanimir Michev<\/strong><br \/>\n<em>New Bulgarian University, Sofia (Bulgaria)<\/em><\/p>\n<p>El presente art\u00edculo tiene como objetivo establecer, a grandes rasgos, una relaci\u00f3n de contacto entre las normas de traducci\u00f3n audiovisual y la teor\u00eda de los actos de habla, cuya formulaci\u00f3n original se debe a J. L. Austin en su obra p\u00f3stuma \u201cC\u00f3mo hacer cosas con palabras\u201d. Se hace una presentaci\u00f3n general de la teor\u00eda de los actos de habla en la ling\u00fc\u00edstica contempor\u00e1nea, de sus caractr\u00edsticas b\u00e1sicas, como tambi\u00e9n de los tipos principales de atactos de habla. El art\u00edculo tambi\u00e9n intenta describir los aspectos normativos de evaluaci\u00f3n del producto de la traducci\u00f3n y su aplicaci\u00f3n en el an\u00e1lisis de la calidad de la traducci\u00f3n audiovisual como un tipo espec\u00edfi co de traducci\u00f3n escrita, hecha para ser producida oralmente.<\/p>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3>On Lullabies, Blood and the Translation of One Different Poem<\/h3>\n<p><strong>Veneta Sirakova<\/strong><br \/>\n<em>New Bulgarian University, Sofia (Bulgaria)<\/em><\/p>\n<p>El objetivo del presente art\u00edculo consiste en hacer un an\u00e1lisis descriptivo de una de las posibles traducciones al b\u00falgaro del poema \u201cCanci\u00f3n de la sangre\u201d de la poeta chilena Gabriela Mistral. Este poema, que est\u00e1 incluido en la secci\u00f3n \u201cCanciones de cuna\u201d del poemario \u201cTernura\u201d (1924) de Mistral, suele interpretarse como una de las m\u00e1ximas manifestaciones del esp\u00edritu maternal de la poes\u00eda mistraliana en su aspecto m\u00edstico-existencialista, y de ah\u00ed parte el an\u00e1lisis de la traducci\u00f3n propuesta. Trat\u00e1ndose de un texto de dif\u00edcil comprensi\u00f3n, las decisiones del traductor no s\u00f3lo se describen desde el punto de vista ling\u00fc\u00edstico sino tambi\u00e9n vienen acompa\u00f1adas de breves argumentaciones de tipo estil\u00edstico-literario.<\/p>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3>Teachers as Lifelong Learners or the Craft, the Art and the Magic of Professional Development. Implementing a Pedagogical Portfolio &#8211; a Case Study<\/h3>\n<p><strong>Svetlana Dimitrova-Gjuzeleva<\/strong><br \/>\n<em>New Bulgarian University, Sofia<\/em><\/p>\n<p>The present paper focuses on the lessons learned from using the NBU Pedagogical Portfolio (Dimitrova and Tashevska, 2004) for the purposes of quality assurance in the specifi c context of foreign language pre-service teacher education and in-service teacher development, not just at New Bulgarian University but in the wider professional community for over 15 years. In a way the paper is also a continuation of the exemplary case study which appeared in the QualiTraining Guide (Muresan et al, 2007) providing further details and more specific evidence of the quality assurance function of the Portfolio2 . Snippets of good practice and refl ection leading to professional growth are shared and readers themselves are encouraged to refl ect on their own experience and development as teachers and\/or trainers.<br \/>\n<em>Keywords:<\/em> foreign language teacher education, NBU Pedagogical Portfolio, professional development, FL teaching competence, quality assurance<\/p>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3>Mastering the Conceptual and Metaphor Systems of a Foreign Language \u2013 Theoretical and Practical Aspects<\/h3>\n<p><strong>Milka Hadzhikoteva<\/strong><br \/>\n<em>New Bulgarian University, Sofia (Bulgaria)<\/em><\/p>\n<p>Th\u0435 article discusses conceptual fl uency in a foreign language, in this case English, and is divided in three parts. Firstly, it discusses some theoretical aspects of conceptual fl uency theory with view to the successful acquisition of the lexical and semantic system of a foreign language. Secondly, it overviews some of the procedures, analyses and results of a case study carried out by the author in a group of students at level B1-B2 according to the CEFR in 2007 &#8211; 2008. Based on the results, last but not least, the article offers some practical ideas and methodological techniques to help students use more successfully metaphorical expressions typical of the conceptual system underlying a foreign language.<\/p>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3>Practical Phase of Creating a New Test (Analysis of the Results and Editing \"Test in Bulgarian as a Foreign Language, A1\")<\/h3>\n<p><strong>Galina Kurteva, Desislava Dimitrova<\/strong><br \/>\n<em>New Bulgarian University, Sofia (Bulgaria)<\/em><\/p>\n<p>This article describes the process of pre-testing a new test of Bulgarian as a foreign language which is conducted in several stages. Proper pre-testing requires a clear understanding of each task and question&#8217;s intent and is used to identify and correct tools and instruments in test design. The authors rely not only on the literature on that subject, but also on the knowledge gained by practice, experience and collected evidence for test qualities. For the investigation of test qualities two kinds of statistical procedures are run. The feedback questionnaire for teachers\u2019 opinion and instruction for test administration was developed. After analyzing the conclusions are summarized. As a result some important decisions are made. They concern some changes in test specifi cation: response format, rubrics, visual input, timing and weighting.<\/p>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3>\u201cDevono averci visti\u201d and \u201cci devono aver visti\u201d through the Prism of Co\u0219eriu's Theory, Interpreted and Defined by prof. Ivan Kunchev as Dynamic Structuralism<\/h3>\n<p><strong>Maria Ladovinska<\/strong><br \/>\n<em>New Bulgarian University, Sofia (Bulgaria)<\/em><\/p>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3>The Coherence of scientific discourse. (On Scientific Papers in German and Bulgarian.) Sofia, Veda-Slovena \u2013 JG, 2011<\/h3>\n<p><strong>Anelia Lambova<\/strong><\/p>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>\u0417\u0430 \u043f\u0440\u0435\u0432\u043e\u0434\u0430 \u043d\u0430 \u0444\u0438\u043b\u043c\u0438 \u0432 \u0441\u0432\u0435\u0442\u043b\u0438\u043d\u0430\u0442\u0430 \u043d\u0430 \u0440\u0435\u0447\u0435\u0432\u0438\u0442\u0435 \u0430\u043a\u0442\u043e\u0432\u0435 \u0421\u0442\u0430\u043d\u0438\u043c\u0438\u0440 \u041c\u0438\u0447\u0435\u0432 \u041d\u043e\u0432 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442, \u0421\u043e\u0444\u0438\u044f El presente art\u00edculo tiene como objetivo establecer, a grandes rasgos, una relaci\u00f3n de contacto entre las normas de traducci\u00f3n audiovisual y la teor\u00eda de los actos de habla, cuya formulaci\u00f3n original se debe a J. L. Austin en su obra [&hellip;]<\/p>","protected":false},"author":124332423427287,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"source_name":"","source_url":"","via_name":"","via_url":"","override_template":"0","override":[{"template":"1","single_blog_custom":"","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"bottom","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"0","show_post_meta":"1","show_post_author":"0","show_post_author_image":"1","show_post_date":"0","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"1","post_reading_time_wpm":"300","show_zoom_button":"1","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","number_popup_post":"3","show_author_box":"0","show_post_related":"0","show_inline_post_related":"0"}],"override_image_size":"0","image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post":"0","trending_post_position":"meta","trending_post_label":"Trending","sponsored_post":"0","sponsored_post_label":"Sponsored by","sponsored_post_name":"","sponsored_post_url":"","sponsored_post_logo_enable":"0","sponsored_post_logo":"","sponsored_post_desc":"","disable_ad":"0"},"jnews_primary_category":{"id":"","hide":""}},"categories":[4323],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u0421\u043f. \u201e\u0427\u0443\u0436\u0434\u043e\u0435\u0437\u0438\u043a\u043e\u0432\u043e \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0435\u201c, \u043a\u043d\u0438\u0436\u043a\u0430 4\/2011 - \u0410\u0437-\u0431\u0443\u043a\u0438<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/history.azbuki.bg\/languages\/sadarzhanie-na-sp-chuzhdoezikovo-obuchenie-2011-g\/sp-chuzhdoezikovo-obuchenie-knizhka-4-2011\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0421\u043f. \u201e\u0427\u0443\u0436\u0434\u043e\u0435\u0437\u0438\u043a\u043e\u0432\u043e \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0435\u201c, \u043a\u043d\u0438\u0436\u043a\u0430 4\/2011 - \u0410\u0437-\u0431\u0443\u043a\u0438\" \/>\n<meta property=\"og:description\" content=\"\u0417\u0430 \u043f\u0440\u0435\u0432\u043e\u0434\u0430 \u043d\u0430 \u0444\u0438\u043b\u043c\u0438 \u0432 \u0441\u0432\u0435\u0442\u043b\u0438\u043d\u0430\u0442\u0430 \u043d\u0430 \u0440\u0435\u0447\u0435\u0432\u0438\u0442\u0435 \u0430\u043a\u0442\u043e\u0432\u0435 \u0421\u0442\u0430\u043d\u0438\u043c\u0438\u0440 \u041c\u0438\u0447\u0435\u0432 \u041d\u043e\u0432 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442, \u0421\u043e\u0444\u0438\u044f El presente art\u00edculo tiene como objetivo establecer, a grandes rasgos, una relaci\u00f3n de contacto entre las normas de traducci\u00f3n audiovisual y la teor\u00eda de los actos de habla, cuya formulaci\u00f3n original se debe a J. 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