{"id":42236,"date":"2017-10-30T15:15:06","date_gmt":"2017-10-30T12:15:06","guid":{"rendered":"https:\/\/new.azbuki.bg\/languages\/foreignarticle2016-2\/5-xliv-2017\/"},"modified":"2022-08-16T13:48:25","modified_gmt":"2022-08-16T10:48:25","slug":"5-xliv-2017","status":"publish","type":"post","link":"https:\/\/press.azbuki.bg\/en\/languages\/foreignarticle2016-2\/5-xliv-2017\/","title":{"rendered":"Foreign Language Teaching, Number 5\/2017, Volume 44"},"content":{"rendered":"<p><strong><a name=\"top\"><\/a>CONTENTS \/ \u0421\u042a\u0414\u042a\u0420\u0416\u0410\u041d\u0418\u0415<\/strong><\/p>\n<p><strong>\u0418\u041d\u0422\u0415\u0420\u0412\u042e \/ INTERVIEW<\/strong><\/p>\n<p class=\"text\" align=\"left\">\u041f\u0440\u043e\u0444. \u0434.\u043f.\u043d. \u041b\u0435\u043e\u043d\u0438\u0434 \u041c\u043e\u0441\u043a\u043e\u0432\u043a\u0438\u043d, \u0421\u0430\u043d\u043a\u0442-\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433\u0441\u043a\u0438\u0439 \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442: \u041e\u0431\u0449\u0435\u0441\u0442\u0432\u043e \u0438\u0441\u043f\u044b\u0442\u044b\u0432\u0430\u0435\u0442 \u043f\u043e\u0442\u0440\u0435\u0431\u043d\u043e\u0441\u0442\u044c \u0432 \u0438\u0437\u0443\u0447\u0435\u043d\u0438\u0438 \u044f\u0437\u044b\u043a\u043e\u0432<br \/>\n[Prof. Leonid Moskovkin, DSc., Saint Petersburg State University: The Society Has a Need for Learning Languages]<br \/>\n\/ <em>\u041d\u0438\u043a\u043e\u043b\u0430\u0439 \u041a\u044a\u043d\u0447\u0435\u0432 \/ Nikolay Kanchev <\/em>&#8211; \u0441\u0442\u0440.\/ page 495<br \/>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p class=\"text\" align=\"left\"><strong>APPLIED LINGUISTICS \/ \u041f\u0420\u0418\u041b\u041e\u0416\u041d\u0410 \u041b\u0418\u041d\u0413\u0412\u0418\u0421\u0422\u0418\u041a\u0410<\/strong><\/p>\n<p class=\"text\" align=\"left\"><a href=\"#art01\">\u0410\u043d\u0430\u043b\u0438\u0437\u044a\u0442 \u043d\u0430 \u0440\u0430\u0437\u0433\u043e\u0432\u043e\u0440\u0430: \u043e\u0442 \u0441\u043e\u0446\u0438\u0430\u043b\u043d\u0438\u044f \u0440\u0435\u0434 \u0434\u043e \u0435\u0437\u0438\u043a\u0430 <\/a><br \/>\n<a href=\"#art01\">[Conversation Analysis: from Social Order to Language] <\/a><br \/>\n\/ <em>\u0414\u043e\u043d\u043a\u0430 \u041c\u0430\u043d\u0433\u0430\u0447\u0435\u0432\u0430 \/ Donka Mangatcheva <\/em>&#8211; \u0441\u0442\u0440.\/ page 498<br \/>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p class=\"text\" align=\"left\"><strong>LANGUAGE TEACHING METHODOLOGY \/ \u041c\u0415\u0422\u041e\u0414\u0418\u041a\u0410<\/strong><\/p>\n<p class=\"text\" align=\"left\"><a href=\"#art02\">\u0414\u0440\u0430\u043c\u0430\u0442\u0443\u0440\u0433\u0438\u0447\u043d\u0438\u0442\u0435 \u0442\u0435\u043a\u0441\u0442\u043e\u0432\u0435 \u0432 \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0435\u0442\u043e \u043f\u043e \u0430\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u0438 \u0435\u0437\u0438\u043a <\/a><br \/>\n<a href=\"#art02\">[Teaching English through Drama] <\/a><br \/>\n\/ <em>\u041c\u0430\u0440\u0438\u044f \u041d\u0435\u0439\u043a\u043e\u0432\u0430 \/ Mariya Neykova <\/em>&#8211; \u0441\u0442\u0440.\/ page 513<br \/>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p class=\"text\" align=\"left\"><a href=\"#art03\">Making Museums our Educational Partners <\/a><br \/>\n\/ <em>Elena Sayanova\u00a0<\/em>&#8211; \u0441\u0442\u0440. \/ page 524<br \/>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p class=\"text\" align=\"left\"><strong>LANGUAGE AND CULTURE \/ \u0415\u0417\u0418\u041a \u0418 \u041a\u0423\u041b\u0422\u0423\u0420\u0410<\/strong><\/p>\n<p class=\"text\" align=\"left\"><a href=\"#art04\">\u041d\u043e\u043c\u0430\u0434\u0441\u0442\u0432\u043e\u0442\u043e \u043d\u0430 \u0435\u043a\u0441\u0442\u0440\u0430\u0442\u0435\u0440\u0438\u0442\u043e\u0440\u0438\u0430\u043b\u043d\u0438\u044f \u043f\u0438\u0441\u0430\u0442\u0435\u043b \u0432 \u043f\u043e\u0440\u0442\u0443\u0433\u0430\u043b\u0441\u043a\u0438\u044f \u0430\u0432\u0442\u043e\u0431\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u043d \u043a\u043e\u0440\u043f\u0443\u0441 \u043d\u0430 \u0416\u043e\u0440\u0436\u0435 \u041b\u0438\u0441\u0442\u043e\u043f\u0430\u0434 <\/a><br \/>\n<a href=\"#art04\">[Nomadism of the Extraterritorial Writer in the Portuguese Autobiographical Corpus of Jorge Listopad]<\/a><br \/>\n<em>\/ \u042f\u043d\u0430 \u0410\u043d\u0434\u0440\u0435\u0435\u0432\u0430 \/ Yana Andreeva <\/em>&#8211; \u0441\u0442\u0440.\/ page 537<br \/>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p class=\"text\" align=\"left\"><strong>INAUGURAL LECTURE \/ \u0412\u0421\u0422\u042a\u041f\u0418\u0422\u0415\u041b\u041d\u0410 \u041b\u0415\u041a\u0426\u0418\u042f<\/strong><\/p>\n<p class=\"text\" align=\"left\"><a href=\"#art05\">\u041e \u0441\u043c\u0435\u0448\u0430\u043d\u043d\u043e\u043c \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0435 \u0432\u0441\u0435\u0445 \u044f\u0437\u044b\u043a\u043e\u0432 <\/a><br \/>\n<a href=\"#art05\">[On the Mixed Nature of All Languages] <\/a><br \/>\n\/ <em>\u0418. \u0411\u043e\u0434\u0443\u044d\u043d \u0434\u0435 \u041a\u0443\u0440\u0442\u0435\u043d\u0435 \/ I. Baudouin de Courtenay <\/em>&#8211; \u0441\u0442\u0440.\/ page 548<br \/>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p class=\"text\" align=\"left\"><strong>LINGUODIDACTICAL ARCHEOLOGY \/ \u041b\u0418\u041d\u0413\u0412\u041e\u0414\u0418\u0414\u0410\u041a\u0422\u0418\u0427\u0415\u0421\u041a\u0410 \u0410\u0420\u0425\u0415\u041e\u041b\u041e\u0413\u0418\u042f<\/strong><\/p>\n<p class=\"text\" align=\"left\"><a href=\"#art06\">\u0412\u0438\u043a\u0442\u043e\u0440\u0438\u0430\u043d\u0441\u043a\u0438 \u043f\u043e\u0433\u043b\u0435\u0434 \u043a\u044a\u043c \u0431\u044a\u0434\u0435\u0449\u0435\u0442\u043e \u0437\u0430 \u0432\u0435\u043a \u043d\u0430\u043f\u0440\u0435\u0434 <\/a><br \/>\n<a href=\"#art06\">[Victorian Look to the Future for the Next Century] <\/a><br \/>\n\/ <em>\u0426\u0432\u0435\u0442\u0430 \u0422\u043e\u0434\u043e\u0440\u043e\u0432\u0430 \/ Tzveta Todorova <\/em>&#8211; \u0441\u0442\u0440.\/ page 559<br \/>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p class=\"text\" align=\"left\"><strong>EVENTS \/ \u0425\u0420\u041e\u041d\u0418\u041a\u0410<\/strong><\/p>\n<p class=\"text\" align=\"left\">\u0422\u0435\u043e\u0440\u0435\u0442\u0438\u043a\u043e-\u043f\u0440\u0438\u043b\u043e\u0436\u043d\u0438 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0438 \u043d\u0430 \u0441\u044a\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0430\u0442\u0430 \u0442\u044e\u0440\u043a\u043e\u043b\u043e\u0433\u0438\u044f<br \/>\n[Theoretical and Applied Problems of Modern Turkic Studies]<br \/>\n\/ <em>\u041c\u0438\u043b\u0435\u043d\u0430 \u0419\u043e\u0440\u0434\u0430\u043d\u043e\u0432\u0430 \/ Milena Yordanova <\/em>&#8211; \u0441\u0442\u0440.\/ page 577<br \/>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p class=\"text\" align=\"left\">\u0412 \u0438\u043c\u0435\u0442\u043e \u043d\u0430 \u043f\u0440\u0435\u0432\u043e\u0434\u0430, \u0432 \u043f\u0430\u043c\u0435\u0442 \u043d\u0430 \u0423\u043c\u0431\u0435\u0440\u0442\u043e \u0415\u043a\u043e<br \/>\n[In the Name of the Translation, in Memory of Umberto Eco]<br \/>\n\/ <em>\u0418\u0440\u0435\u043d\u0430 \u041a\u0440\u044a\u0441\u0442\u0435\u0432\u0430 \/ Irena Kristeva <\/em>&#8211; \u0441\u0442\u0440.\/ page 580<br \/>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p class=\"text\" align=\"left\"><em>\u00a0<\/em><\/p>\n<p class=\"text\" align=\"left\"><a href=\"#art07\">\u0418 \u043d\u0435\u043a\u0430 \u0434\u0443\u043c\u0438\u0442\u0435 \u0433\u043e\u0432\u043e\u0440\u044f\u0442&#8230; <\/a><br \/>\n<a href=\"#art07\">[And Let Words Speak] <\/a><br \/>\n\/ <em>\u0414\u0438\u043c\u0438\u0442\u044a\u0440 \u0412\u0435\u0441\u0435\u043b\u0438\u043d\u043e\u0432, \u0415\u043a\u0430\u0442\u0435\u0440\u0438\u043d\u0430 \u0421\u043e\u0444\u0440\u043e\u043d\u0438\u0435\u0432\u0430 \/ Dimitar Vesselinov, Ekaterina Sofronieva <\/em>&#8211; \u0441\u0442\u0440. \/page 583<br \/>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p class=\"text\" align=\"left\"><strong>REVIEWS AND ANNOTATIONS \/ \u0420\u0415\u0426\u0415\u041d\u0417\u0418\u0418 \u0418 \u0410\u041d\u041e\u0422\u0410\u0426\u0418\u0418<\/strong><\/p>\n<p class=\"text\" align=\"left\"><a href=\"#art08\">\u0417\u0430 \u043a\u043d\u0438\u0433\u0430\u0442\u0430 \u201e\u0418\u0433\u0440\u0430\u0442\u0430 \u0432\u044a\u0432 \u0444\u0440\u0435\u043d\u0441\u043a\u0438\u0442\u0435 \u0441\u0440\u0435\u0434\u043d\u043e\u0432\u0435\u043a\u043e\u0432\u043d\u0438 \u0444\u0430\u0440\u0441\u043e\u0432\u0435\u201c <\/a><br \/>\n<a href=\"#art08\">[About the Book \u201cThe Game in French Medieval Farces\u201d] <\/a><br \/>\n\/ <em>\u0414\u0438\u043d\u0430 \u041c\u0430\u043d\u0447\u0435\u0432\u0430 \/ Dina Mancheva <\/em>&#8211; \u0441\u0442\u0440. \/ page 593<br \/>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p class=\"text\" align=\"left\"><a href=\"#art09\">\u041d\u043e\u0432\u0430\u0442\u043e\u0440\u0441\u043a\u043e \u043f\u043e \u0434\u0443\u0445\u0430 \u0441\u0438 \u043f\u0440\u043e\u0443\u0447\u0432\u0430\u043d\u0435 <\/a><br \/>\n<a href=\"#art09\">[Innovative in its Essence Research] <\/a><br \/>\n\/ <em>\u0421\u0438\u043b\u0432\u0438\u044f \u0411\u043e\u0442\u0435\u0432\u0430 \/ Silvia Boteva <\/em>&#8211; \u0441\u0442\u0440.\/ page 598<br \/>\n<a href=\"https:\/\/press.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p class=\"BasicParagraph\"><strong>READ IN THE LATEST ISSUES OF AZ BUKI JOURNALS <\/strong><br \/>\n<strong>\/ \u0412 \u041d\u041e\u0412\u0418\u0422\u0415 \u0411\u0420\u041e\u0415\u0412\u0415 \u041d\u0410 \u0421\u041f\u0418\u0421\u0410\u041d\u0418\u042f\u0422\u0410 \u041d\u0410 \u201e\u0410\u0417-\u0411\u0423\u041a\u0418\u201c \u0427\u0415\u0422\u0415\u0422\u0415 &#8211;<\/strong> \u0441\u0442\u0440.\/ p. 601<\/p>\n<p><strong>GUIDE FOR AUTHORS \/ \u0423\u041a\u0410\u0417\u0410\u041d\u0418\u042f \u0417\u0410 \u0410\u0412\u0422\u041e\u0420\u0418\u0422\u0415\u00a0<\/strong>&#8211; \u0441\u0442\u0440.\/ page 603<\/p>\n<p style=\"text-align: right;\">\u00a0<a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong style=\"font-size: 12.16px;\"><a name=\"art01\"><\/a>\u0410\u041d\u0410\u041b\u0418\u0417\u042a\u0422 \u041d\u0410 \u0420\u0410\u0417\u0413\u041e\u0412\u041e\u0420\u0410: \u041e\u0422 \u0421\u041e\u0426\u0418\u0410\u041b\u041d\u0418\u042f \u0420\u0415\u0414 \u0414\u041e \u0415\u0417\u0418\u041a\u0410<\/strong><\/p>\n<p class=\"avtor\" align=\"left\"><strong>\u0414\u043e\u043d\u043a\u0430 \u041c\u0430\u043d\u0433\u0430\u0447\u0435\u0432\u0430<\/strong><\/p>\n<p class=\"avtor-titla\" align=\"left\"><em>Sofia University<\/em><\/p>\n<p class=\"anotacia\" align=\"left\"><strong>\u00a0<\/strong><strong>Abstract.<\/strong> A\u043d\u0430\u043b\u0438\u0437\u044a\u0442 \u043d\u0430 \u0440\u0430\u0437\u0433\u043e\u0432\u043e\u0440\u0430 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0432\u0430 \u0438\u043d\u0442\u0435\u0440\u0434\u0438\u0441\u0446\u0438\u043f\u043b\u0438\u043d\u0430\u0440\u043d\u0430 \u0438\u0437\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u0442\u0435\u043b\u0441\u043a\u0430 \u043f\u0440\u043e\u0433\u0440\u0430\u043c\u0430 \u0441 \u043d\u043e\u0432\u0430\u0442\u043e\u0440\u0441\u043a\u0438 \u0442\u0435\u043e\u0440\u0435\u0442\u0438\u0447\u0435\u043d \u043f\u043e\u0434\u0445\u043e\u0434 \u0438 \u0441\u0432\u043e\u0435\u043e\u0431\u0440\u0430\u0437\u043d\u0430 \u043c\u0435\u0442\u043e\u0434\u043e\u043b\u043e\u0433\u0438\u044f. \u0421\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u043f\u0440\u043e\u0441\u043b\u0435\u0434\u044f\u0432\u0430 \u043d\u0435\u0433\u043e\u0432\u0438\u0442\u0435 \u043a\u043e\u0440\u0435\u043d\u0438 \u0432 \u0440\u0430\u043c\u043a\u0438\u0442\u0435 \u043d\u0430 \u0441\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u044f\u0442\u0430 \u043f\u0440\u0435\u0437 60-\u0442\u0435 \u0438 70-\u0442\u0435 \u0433\u043e\u0434\u0438\u043d\u0438 \u043d\u0430 XX \u0432., \u0438\u0434\u0435\u0439\u043d\u0430\u0442\u0430 \u043c\u0443 \u043e\u0441\u043d\u043e\u0432\u0430 \u0438 \u0444\u0430\u043a\u0442\u043e\u0440\u0438\u0442\u0435 \u0437\u0430 \u043d\u0435\u0433\u043e\u0432\u043e\u0442\u043e<br \/>\n\u043e\u0444\u043e\u0440\u043c\u044f\u043d\u0435 \u0438 \u043f\u043e\u0441\u043b\u0435\u0434\u0432\u0430\u0449\u043e \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u0435, \u043f\u043e\u0441\u0442\u0435\u043f\u0435\u043d\u043d\u043e\u0442\u043e \u043c\u0443 \u0442\u0440\u0443\u0434\u043d\u043e \u0443\u0442\u0432\u044a\u0440\u0436\u0434\u0430\u0432\u0430\u043d\u0435, \u043a\u0430\u043a\u0442\u043e \u0438 \u0434\u043d\u0435\u0448\u043d\u043e\u0442\u043e \u043c\u0443 \u0448\u0438\u0440\u043e\u043a\u043e \u043f\u0440\u0438\u043b\u043e\u0436\u0435\u043d\u0438\u0435 \u0432 \u0431\u043b\u0438\u0437\u043a\u0438\u0442\u0435 \u0445\u0443\u043c\u0430\u043d\u0438\u0442\u0430\u0440\u043d\u0438 \u043e\u0431\u043b\u0430\u0441\u0442\u0438 \u0438 \u0434\u043e\u0440\u0438 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u0438\u0442\u0435 \u043d\u0430\u0443\u043a\u0438. \u041e\u0447\u0435\u0440\u0442\u0430\u043d\u0438 \u0441\u0430 \u0434\u043e\u043f\u0438\u0440\u043d\u0438\u0442\u0435 \u043c\u0443 \u0442\u043e\u0447\u043a\u0438 \u0441 \u043f\u0440\u0435\u043a\u0438\u044f \u043c\u0443 \u043f\u0440\u0435\u0434\u0448\u0435\u0441\u0442\u0432\u0435\u043d\u0438\u043a \u2013 \u0435\u0442\u043d\u043e\u043c\u0435\u0442\u043e\u0434\u043e\u043b\u043e\u0433\u0438\u044f\u0442\u0430, \u043c\u044f\u0441\u0442\u043e\u0442\u043e \u043c\u0443 \u0432 \u043f\u043e\u043b\u0435\u0442\u043e \u043d\u0430 \u0434\u0438\u0441\u043a\u0443\u0440\u0441\u0438\u0432\u043d\u0438\u044f \u0430\u043d\u0430\u043b\u0438\u0437 \u0438 \u043f\u0440\u0438\u043d\u043e\u0441\u044a\u0442 \u043c\u0443 \u0437\u0430 \u0447\u0443\u0436\u0434\u043e\u0435\u0437\u0438\u043a\u043e\u0432\u043e\u0442\u043e \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0435.<\/p>\n<p class=\"anotacia\" align=\"left\"><em>Keywords<\/em><em>:<\/em> conversation analysis; social action; talk-in-interaction; sociology; ethnomethodology; discourse analysis; foreign language teaching<\/p>\n<p><strong>CONVERSATION ANALYSIS: FROM SOCIAL ORDER TO LANGUAGE<\/strong><strong>\u00a0<\/strong><\/p>\n<p class=\"anotacia\" align=\"left\"><strong>Abstract. <\/strong>Conversation analysis is an interdisciplinary research programme assuming an innovative theoretical approach and unique methodology. The present article follows its origin in sociology in the 60\u2019s and 70\u2019s of the 20<sup>th<\/sup> century, its conceptual grounds and the factors of its formation and consequent development, its gradual and difficult confirmation and its broad application in the close humanities and even in natural sciences. This review outlines the points of contact between conversation analysis and its direct predecessor, ethnomethodology, situates conversation analysis in the field of discourse analysis and mentions its contribution to foreign language teaching.<\/p>\n<p class=\"avtor\" align=\"left\"><strong>Dr. Donka Mangatcheva, Assoc. Prof.<\/strong><\/p>\n<p class=\"avtor-titla\" align=\"left\"><em>Sofia University (Bulgaria)<\/em><\/p>\n<p style=\"text-align: right;\">\u00a0<a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong style=\"font-size: 12.16px;\"><a name=\"art02\"><\/a>\u0414\u0420\u0410\u041c\u0410\u0422\u0423\u0420\u0413\u0418\u0427\u041d\u0418\u0422\u0415 \u0422\u0415\u041a\u0421\u0422\u041e\u0412\u0415 \u0412 \u041e\u0411\u0423\u0427\u0415\u041d\u0418\u0415\u0422\u041e \u041f\u041e \u0410\u041d\u0413\u041b\u0418\u0419\u0421\u041a\u0418 \u0415\u0417\u0418\u041a<\/strong><\/p>\n<p><strong>Maria Neikova<\/strong><\/p>\n<p><em>New Bulgarian University<\/em><\/p>\n<p><strong>Abstract<\/strong>. \u0412 \u0441\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0441\u0435 \u0440\u0430\u0437\u0433\u043b\u0435\u0436\u0434\u0430\u0442 \u0440\u043e\u043b\u044f\u0442\u0430 \u0438 \u043c\u044f\u0441\u0442\u043e\u0442\u043e \u043d\u0430 \u0434\u0440\u0430\u043c\u0430\u0442\u0443\u0440\u0433\u0438\u0447\u043d\u0438\u0442\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f \u0432 \u0441\u044a\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0442\u043e \u0447\u0443\u0436\u0434\u043e\u0435\u0437\u0438\u043a\u043e\u0432\u043e \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0435. \u0418\u043d\u0442\u0435\u0433\u0440\u0438\u0440\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u0434\u0440\u0430\u043c\u0430\u0442\u0443\u0440\u0433\u0438\u0447\u043d\u0438 \u0442\u0435\u043a\u0441\u0442\u043e\u0432\u0435 \u0432 \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0435\u0442\u043e \u043f\u043e \u0430\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u0438 \u0435\u0437\u0438\u043a \u0441\u043f\u043e\u043c\u0430\u0433\u0430 \u0437\u0430 \u043a\u043e\u043c\u043f\u043b\u0435\u043a\u0441\u043d\u043e\u0442\u043e \u0440\u0430\u0437\u0432\u0438\u0432\u0430\u043d\u0435 \u043d\u0430 \u043a\u043e\u043c\u0443\u043d\u0438\u043a\u0430\u0442\u0438\u0432\u043d\u0430\u0442\u0430 \u043a\u043e\u043c\u043f\u0435\u0442\u0435\u043d\u0442\u043d\u043e\u0441\u0442 \u043d\u0430 \u043e\u0431\u0443\u0447\u0430\u0432\u0430\u043d\u0438\u0442\u0435 \u0447\u0440\u0435\u0437 \u0443\u0441\u044a\u0432\u044a\u0440\u0448\u0435\u043d\u0441\u0442\u0432\u0430\u043d\u0435 \u0438 \u043e\u0431\u043e\u0433\u0430\u0442\u044f\u0432\u0430\u043d\u0435 \u043d\u0430 \u0442\u0435\u0445\u043d\u0438\u0442\u0435 \u0433\u043e\u0432\u043e\u0440\u043d\u0438 \u0443\u043c\u0435\u043d\u0438\u044f \u0438 \u0440\u0435\u0447\u043d\u0438\u043a\u043e\u0432 \u0437\u0430\u043f\u0430\u0441, \u0447\u0440\u0435\u0437 \u0440\u0430\u0437\u0432\u0438\u0432\u0430\u043d\u0435 \u043d\u0430 \u0441\u043e\u0446\u0438\u0430\u043b\u043d\u0430\u0442\u0430 \u0438\u043c \u043a\u043e\u043c\u043f\u0435\u0442\u0435\u043d\u0442\u043d\u043e\u0441\u0442 \u0438 \u0443\u043c\u0435\u043d\u0438\u044f\u0442\u0430 \u0438\u043c \u0437\u0430 \u043a\u043e\u043b\u0430\u0431\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u043e \u0443\u0447\u0435\u043d\u0435, \u0447\u0440\u0435\u0437 \u0440\u0430\u0437\u0448\u0438\u0440\u044f\u0432\u0430\u043d\u0435 \u043d\u0430 \u043f\u043e\u0437\u043d\u0430\u043d\u0438\u044f\u0442\u0430 \u0438\u043c \u0437\u0430 \u0448\u0435\u0434\u044c\u043e\u0432\u0440\u0438\u0442\u0435 \u043d\u0430 \u0430\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u0430\u0442\u0430 \u0434\u0440\u0430\u043c\u0430\u0442\u0443\u0440\u0433\u0438\u044f. \u0412\u0437\u0430\u0438\u043c\u043e\u0434\u0435\u0439\u0441\u0442\u0432\u0438\u0435\u0442\u043e \u0441 \u0438\u0437\u043a\u0443\u0441\u0442\u0432\u043e\u0442\u043e \u0432\u043e\u0434\u0438 \u0434\u043e \u043f\u0440\u0435\u043e\u0441\u043c\u0438\u0441\u043b\u044f\u043d\u0435 \u043d\u0430 \u043c\u043e\u0440\u0430\u043b\u043d\u0438 \u0438 \u0435\u0442\u0438\u0447\u043d\u0438 \u0446\u0435\u043d\u043d\u043e\u0441\u0442\u0438, \u0443\u043a\u0440\u0435\u043f\u0432\u0430 \u0441\u0430\u043c\u043e\u0443\u0432\u0435\u0440\u0435\u043d\u043e\u0441\u0442\u0442\u0430 \u0438 \u0431\u043b\u0430\u0433\u043e\u043f\u0440\u0438\u044f\u0442\u0441\u0442\u0432\u0430 \u043b\u0438\u0447\u043d\u043e\u0441\u0442\u043d\u043e\u0442\u043e \u0438\u0437\u0440\u0430\u0441\u0442\u0432\u0430\u043d\u0435 \u043d\u0430 \u0443\u0447\u0430\u0449\u0438\u0442\u0435.<\/p>\n<p><em>Keywords:<\/em> teaching; language; English; drama<\/p>\n<p><strong>TEACHING ENGLISH THROUGH DRAMA<\/strong><\/p>\n<p><strong>Abstract. <\/strong>The article focuses on the role and place of drama in foreign language teaching today. The implementation of drama texts in the English language classroom enhances the development of the students\u2019 communicative competence in a number of ways \u2013 it improves their speaking skills and enriches their vocabulary, it develops their social competence and collaborative learning skills, it broadens their background knowledge about the English drama masterpieces. The interaction with art fosters the process of rethinking of moral and ethical values, and boosts the self-esteem and the personal development of the learners.<\/p>\n<p><strong>Dr. Mariya Neykova, Assist. Prof.<\/strong><\/p>\n<p><em>New Bulgarian University &#8211; Sofia (Bulgaria)<\/em><\/p>\n<p style=\"text-align: right;\">\u00a0<a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong style=\"font-size: 12.16px;\"><a name=\"art03\"><\/a>MAKING MUSEUMS OUR EDUCATIONAL PARTNERS<\/strong><\/p>\n<p><strong>Elena Sayanova<\/strong><\/p>\n<p><em>Vocational High School for Tourism and Catering \u2013 Razlog (Bulgaria)<\/em><\/p>\n<p><strong>Abstract<\/strong>. The article is devoted to the idea of taking action to put learning at the heart of museums and museums at the heart of learning as it is a space where youngsters can learn and gain different experience with input from experts, using visual and object-based approaches, and where they can find new forms of creativity, self-expression and confidence. This means giving space for young people to be producers of knowledge as well as consumers and to learn about the connections and interactions between different knowledge systems.<\/p>\n<p>Both cognitive and affective learning can occur as a result of student visits to out-of-school settings, and is influenced by numerous factors, such as the structure of the trip, setting novelty, social context of the visit as well as teacher actions on trip and quality of preparation and follow-up experiences.<\/p>\n<p>The article also offers some teaching approaches to involving museums into the educational process.<\/p>\n<p><em>Keywords<\/em>: learning; museums; youngsters; visual and object-based approach; knowledge systems<\/p>\n<p style=\"text-align: right;\">\u00a0<a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong><a name=\"art04\"><\/a>\u041d\u041e\u041c\u0410\u0414\u0421\u0422\u0412\u041e\u0422\u041e \u041d\u0410 \u0415\u041a\u0421\u0422\u0420\u0410\u0422\u0415\u0420\u0418\u0422\u041e\u0420\u0418\u0410\u041b\u041d\u0418\u042f \u041f\u0418\u0421\u0410\u0422\u0415\u041b \u0412 \u041f\u041e\u0420\u0422\u0423\u0413\u0410\u041b\u0421\u041a\u0418\u042f \u0410\u0412\u0422\u041e\u0411\u0418\u041e\u0413\u0420\u0410\u0424\u0418\u0427\u0415\u041d \u041a\u041e\u0420\u041f\u0423\u0421 \u041d\u0410 \u0416\u041e\u0420\u0416\u0415 \u041b\u0418\u0421\u0422\u041e\u041f\u0410\u0414<\/strong><\/p>\n<p><strong>\u042f\u043d\u0430 \u0410\u043d\u0434\u0440\u0435\u0435\u0432\u0430<\/strong><\/p>\n<p><em>Sofia University<\/em><\/p>\n<p><strong>Abstract<\/strong>. \u0421\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0440\u0430\u0437\u0433\u043b\u0435\u0436\u0434\u0430 \u0438\u0437\u0433\u0440\u0430\u0436\u0434\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0430\u0442\u0430 \u0437\u0430 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044f \u043d\u043e\u043c\u0430\u0434 \u0432 \u0430\u0432\u0442\u043e\u0431\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u043d\u0438\u0442\u0435 \u043d\u0430\u0440\u0430\u0442\u0438\u0432\u0438 \u043d\u0430 \u043f\u043e\u0440\u0442\u0443\u0433\u0430\u043b\u0441\u043a\u0438\u044f \u043f\u0438\u0441\u0430\u0442\u0435\u043b \u0416\u043e\u0440\u0436\u0435 \u041b\u0438\u0441\u0442\u043e\u043f\u0430\u0434. \u041f\u0440\u043e\u0441\u043b\u0435\u0434\u044f\u0432\u0430\u0442 \u0441\u0435 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u043d\u0438\u0442\u0435 \u0437\u0430 \u0435\u043a\u0441\u0442\u0440\u0430\u0442\u0435\u0440\u0438\u0442\u043e\u0440\u0438\u0430\u043b\u043d\u043e\u0442\u043e \u043f\u0438\u0441\u0430\u043d\u0435 \u0447\u0435\u0440\u0442\u0438, \u0430 \u0441\u044a\u0449\u043e \u0442\u0430\u043a\u0430 \u0438 \u0442\u0435\u043c\u0430\u0442\u0438\u0447\u043d\u043e\u0442\u043e \u043f\u0440\u0438\u0441\u044a\u0441\u0442\u0432\u0438\u0435 \u043d\u0430 \u043c\u0438\u0433\u0440\u0430\u0446\u0438\u043e\u043d\u043d\u0430\u0442\u0430 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0430\u0442\u0438\u043a\u0430 \u0438 \u0432 \u0447\u0430\u0441\u0442\u043d\u043e\u0441\u0442 \u043d\u0430 \u0442\u0430\u0437\u0438 \u0437\u0430 \u0435\u0437\u0438\u043a\u043e\u0432\u043e\u0442\u043e \u043d\u043e\u043c\u0430\u0434\u0441\u0442\u0432\u043e \u0432 \u0440\u0430\u0437\u043a\u0430\u0437\u0438 \u043e\u0442 \u0441\u0431\u043e\u0440\u043d\u0438\u0446\u0438\u0442\u0435 \u0411\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u044f \u043d\u0430 \u043a\u0440\u0438\u0441\u0442\u0430\u043b (Biografia de Cristal, 1992), \u041f\u0440\u0438\u043f\u043b\u044a\u0437\u0432\u0430\u043d\u0435 (Deslizamento, 2009) \u0438 \u0420\u0435\u043c\u0438\u043d\u0433\u0442\u044a\u043d (Remington, 2013).<\/p>\n<p><em>Keywords:<\/em> nomadic writer; extraterritorial writer; Jorge Listopad<\/p>\n<p><strong>NOMADISM OF THE EXTRATERRITORIAL WRITER IN THE PORTUGUESE AUTOBIOGRAPHICAL CORPUS OF JORGE LISTOPAD<\/strong><\/p>\n<p><strong>Abstract<\/strong>. The paper examines the creation of the \u201cnomadic writer\u201d concept in the autobiographical narratives of the Portuguese writer Jorge Listopad. It traces the features that characterize the extraterritorial writing, as well as the thematic presence of the migration problems, in particular that of the language nomadism in the short story collections Biography of Crystal (Biografia de Cristal, 1992), Slipping (Deslizamento, 2009), and Remington (Remington, 2013).<\/p>\n<p><strong>Dr. Yana Andreeva, Assoc. Prof.<\/strong><\/p>\n<p class=\"avtor-titla\" align=\"left\"><em>Sofia University (Bulgaria)<\/em><\/p>\n<p style=\"text-align: right;\">\u00a0<a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong style=\"font-size: 12.16px;\"><a name=\"art05\"><\/a>\u041e \u0421\u041c\u0415\u0428\u0410\u041d\u041d\u041e\u041c \u0425\u0410\u0420\u0410\u041a\u0422\u0415\u0420\u0415 \u0412\u0421\u0415\u0425 \u042f\u0417\u042b\u041a\u041e\u0412<\/strong><\/p>\n<p><strong>\u0418. \u0411\u043e\u0434\u0443\u044d\u043d \u0434\u0435 \u041a\u0443\u0440\u0442\u0435\u043d\u0435<\/strong><\/p>\n<p><em>\u0421\u0430\u043d\u043a\u0442-\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442<\/em><\/p>\n<p><strong>Abstract<\/strong>. \u0412\u0441\u0442\u0443\u043f\u0438\u0442\u0435\u043b\u044c\u043d\u0430\u044f \u043b\u0435\u043a\u0446\u0438\u044f \u0432 \u043a\u0443\u0440\u0441 \u00ab\u0441\u0440\u0430\u0432\u043d\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0433\u0440\u0430\u043c\u043c\u0430\u0442\u0438\u043a\u0438 \u0441\u043b\u0430\u0432\u044f\u043d\u0441\u043a\u0438\u0445 \u044f\u0437\u044b\u043a\u043e\u0432 \u0432 \u0441\u0432\u044f\u0437\u0438 \u0441 \u0434\u0440\u0443\u0433\u0438\u043c\u0438 \u044f\u0437\u044b\u043a\u0430\u043c\u0438 \u0430\u0440\u0438\u043e\u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u0438\u043c\u0438\u00bb, \u0447\u0438\u0442\u0430\u043d\u043d\u0430\u044f \u0432 \u0421\u0430\u043d\u043a\u0442-\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433\u0441\u043a\u043e\u043c \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0435 21-\u0433\u043e \u0441\u0435\u043d\u0442\u044f\u0431\u0440\u044f \/ 4-\u0433\u043e \u043e\u043a\u0442\u044f\u0431\u0440\u044f 1900 \u0433. \u041d\u0430\u0447\u0430\u043b\u043e \u044d\u0442\u043e\u0439 \u043b\u0435\u043a\u0446\u0438\u0438, \u043a\u0430\u043a \u0438\u043c\u0435\u0432\u0448\u0435\u0435 \u0437\u043d\u0430\u0447\u0435\u043d\u0438\u0435 \u0447\u0438\u0441\u0442\u043e \u043b\u0438\u0447\u043d\u043e\u0435 \u0438 \u043f\u0440\u0435\u0445\u043e\u0434\u044f\u0449\u0435\u0435, \u0437\u0434\u0435\u0441\u044c, \u0432 \u043f\u0435\u0447\u0430\u0442\u0438, \u043f\u0440\u043e\u043f\u0443\u0441\u043a\u0430\u0435\u0442\u0441\u044f.<\/p>\n<p><strong>ON THE MIXED NATURE OF ALL LANGUAGES<\/strong><\/p>\n<p class=\"zaglavie-english\" align=\"left\"><span style=\"font-size: 12.16px;\">\u00a0<\/span><strong>Abstract<\/strong>. The paper presents the introductory lecture in the course &#8222;Comparative grammar of the Slavic languages in connection with other Aryo-European languages&#8220;, read at the St. Petersburg University on September 21 \/ October 4, 1900.<\/p>\n<p align=\"left\">\n<p class=\"avtor\" align=\"left\"><strong>I. Baudouin de Courtena<\/strong><\/p>\n<p class=\"avtor\" align=\"left\"><em>Saint-Petersburg University (Russia)<\/em><\/p>\n<p style=\"text-align: right;\"><strong>\u00a0<\/strong><a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong style=\"font-size: 12.16px;\"><a name=\"art06\"><\/a><\/strong><strong style=\"font-size: 12.16px;\">\u0412\u0418\u041a\u0422\u041e\u0420\u0418\u0410\u041d\u0421\u041a\u0418 \u041f\u041e\u0413\u041b\u0415\u0414 \u041a\u042a\u041c \u0411\u042a\u0414\u0415\u0429\u0415\u0422\u041e \u0417\u0410 \u0412\u0415\u041a \u041d\u0410\u041f\u0420\u0415\u0414<\/strong><\/p>\n<p><strong>Tsveta Todorova<\/strong><\/p>\n<p><em>Sofia University<\/em><\/p>\n<p><strong>Abstract<\/strong>. \u0421\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0440\u0430\u0437\u0433\u043b\u0435\u0436\u0434\u0430 \u0432\u0438\u043a\u0442\u043e\u0440\u0438\u0430\u043d\u0441\u043a\u0430\u0442\u0430 \u0432\u0438\u0437\u0438\u044f \u0437\u0430 \u0441\u0432\u0435\u0442\u0430 \u043f\u0440\u0435\u0437 2000 \u0433. \u041f\u0440\u043e\u0435\u043a\u0442 \u043f\u043e\u0434 \u0437\u0430\u0433\u043b\u0430\u0432\u0438\u0435 \u201e\u0416\u0438\u0432\u043e\u0442 \u043f\u0440\u0435\u0437 2000 \u0433.\u201c, \u0438\u0437\u0440\u0430\u0431\u043e\u0442\u0435\u043d \u043f\u043e \u0441\u043b\u0443\u0447\u0430\u0439 \u043f\u043e\u0441\u0440\u0435\u0449\u0430\u043d\u0435\u0442\u043e \u043d\u0430 1900 \u0433., \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u044f \u043f\u043e\u0440\u0435\u0434\u0438\u0446\u0430 \u043e\u0442 12 \u043f\u043e\u0449\u0435\u043d\u0441\u043a\u0438 \u043a\u0430\u0440\u0442\u0438\u0447\u043a\u0438, \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438 \u043e\u0442 \u0432\u043e\u0434\u0435\u0449\u0438\u044f \u0445\u043e\u043b\u0430\u043d\u0434\u0441\u043a\u0438 \u043f\u0440\u043e\u0438\u0437\u0432\u043e\u0434\u0438\u0442\u0435\u043b \u043d\u0430 \u0448\u043e\u043a\u043e\u043b\u0430\u0434 \u201e\u0422\u0435\u043e\u0434\u043e\u0440 \u0425\u0438\u043b\u0434\u0435\u0431\u0440\u0430\u043d\u0434 \u0438 \u0441\u0438\u043d\u201c. \u041e\u0442\u043f\u0435\u0447\u0430\u0442\u0430\u043d\u0438\u0442\u0435 \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u0438\u044f \u0438\u043b\u044e\u0441\u0442\u0440\u0438\u0440\u0430\u043b\u0438 \u0438\u0434\u0435\u0438\u0442\u0435 \u043d\u0430 \u0445\u043e\u0440\u0430\u0442\u0430 \u0437\u0430 \u0442\u043e\u0432\u0430 \u043a\u0430\u043a \u0449\u0435 \u0438\u0437\u0433\u043b\u0435\u0436\u0434\u0430 \u0441\u0432\u0435\u0442\u044a\u0442 \u0441\u043b\u0435\u0434 100 \u0433\u043e\u0434\u0438\u043d\u0438. \u0422\u0435\u0437\u0438 \u0438\u0434\u0435\u0438 \u0441\u0430 \u0438\u0437\u043a\u043b\u044e\u0447\u0438\u0442\u0435\u043b\u043d\u043e \u0438\u043d\u0442\u0435\u0440\u0435\u0441\u043d\u0438 \u043d\u0435 \u0441\u0430\u043c\u043e \u043a\u0430\u0442\u043e \u0442\u0435\u043c\u0430\u0442\u0438\u043a\u0430, \u043d\u043e \u0438 \u0437\u0430\u0440\u0430\u0434\u0438 \u0444\u0430\u043a\u0442\u0430, \u0447\u0435 \u043d\u044f\u043a\u043e\u0438 \u043e\u0442 \u0442\u044f\u0445 \u0441\u0430 \u043d\u0430\u043c\u0435\u0440\u0438\u043b\u0438 \u043c\u044f\u0441\u0442\u043e \u0432 \u0434\u043d\u0435\u0448\u043d\u0438 \u0434\u043d\u0438.<\/p>\n<p><em>Keywords<\/em>: Victorian vision; project; Life in 2000; celebrating the year 1900; postcard<\/p>\n<p><strong>VICTORIAN LOOK TO THE FUTURE FOR THE NEXT CENTURY<\/strong><\/p>\n<p><strong>Abstract<\/strong>. The Victorian Age (1837 \u2013 1901) is the famous period of British Queen Victoria\u2019s rule. At the border between the two centuries, it is quite natural for the Victorian man to look at the future of mankind in 100 years. The reasons for this interest are determined by the changes in the economic and spiritual sphere. The successful continuation of the industrial revolution, especially in technology, the intensive infrastructure development, the construction of new railways, the active colonial expansion of England in Asia and Africa, stimulate such interest.<\/p>\n<p>The article discusses the Victorian vision of the world for the year 2000. A project under the title: \u201cLife in 2000\u201d was recorded on the occasion of celebrating the year 1900. It represents a series of 12 postcards produced by the leading Dutch producer of chocolate \u201cTheodor Hildebrand and son\u201d who, past the pastries, undertake the printing of images illustrating the man\u2019s ideas about the type of world after 100 years. These ideas are extremely entertaining with their subject matter and because some of them have found a place in today\u2019s modern day.<\/p>\n<p><strong>Dr. Tzveta Todorova, Assoc. Prof.<\/strong><\/p>\n<p class=\"avtor-titla\" align=\"left\"><em>Sofia University (Bulgaria)<\/em><\/p>\n<p style=\"text-align: right;\">\u00a0<a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong style=\"font-size: 12.16px;\"><a name=\"art07\"><\/a>\u0418 \u041d\u0415\u041a\u0410 \u0414\u0423\u041c\u0418\u0422\u0415 \u0413\u041e\u0412\u041e\u0420\u042f\u0422&#8230;<\/strong><\/p>\n<p><strong>\u0414\u0438\u043c\u0438\u0442\u044a\u0440 \u0412\u0435\u0441\u0435\u043b\u0438\u043d\u043e\u0432, \u0415\u043a\u0430\u0442\u0435\u0440\u0438\u043d\u0430 \u0421\u043e\u0444\u0440\u043e\u043d\u0438\u0435\u0432\u0430<\/strong><\/p>\n<p><em>Sofia University<\/em><\/p>\n<p><strong>Abstract<\/strong>. \u0421\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0435 \u0441\u043a\u0440\u043e\u043c\u0435\u043d \u043e\u043f\u0438\u0442 \u0437\u0430 \u0441\u044a\u0437\u0434\u0430\u0432\u0430\u043d\u0435 \u043d\u0430 \u043a\u0440\u0430\u0442\u044a\u043a \u0431\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u043d \u0438 \u043f\u0440\u043e\u0444\u0435\u0441\u0438\u043e\u043d\u0430\u043b\u0435\u043d \u043f\u043e\u0440\u0442\u0440\u0435\u0442 \u043d\u0430 \u043f\u0440\u043e\u0444. \u0434.\u043f.\u043d. \u0422\u043e\u0434\u043e\u0440 \u041a\u0440\u0443\u043c\u043e\u0432 \u0428\u043e\u043f\u043e\u0432 \u043e\u0442 \u043a\u0430\u0442\u0435\u0434\u0440\u0430 \u201e\u041c\u0435\u0442\u043e\u0434\u0438\u043a\u0430 \u043d\u0430 \u0447\u0443\u0436\u0434\u043e\u0435\u0437\u0438\u043a\u043e\u0432\u043e\u0442\u043e \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0435\u201c, \u043a\u043e\u0439\u0442\u043e \u043d\u0430\u0432\u044a\u0440\u0448\u0432\u0430 65 \u0433\u043e\u0434\u0438\u043d\u0438 \u043f\u0440\u0435\u0437 2017 \u0433.<\/p>\n<p><strong>AND LET WORDS SPEAK<\/strong><\/p>\n<p><strong>Abstract<\/strong>. This article is a modest attempt for creating a short biographical and professional portrait of Prof. Dr. Todor Shopov, member of the Department of Methodology of Foreign Language Learning team, who turns 65 in 2017.<\/p>\n<p><strong>Prof. Dimitar Vesselinov, DSc., Dr. Ekaterina Sofronieva, Assoc. Prof.<\/strong><\/p>\n<p class=\"avtor-titla\" align=\"left\"><em>Sofia University (Bulgaria)<\/em><\/p>\n<p style=\"text-align: right;\"><a href=\"#top\">\u00a0\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong style=\"font-size: 12.16px;\"><a name=\"art08\"><\/a>\u0417\u0410 \u041a\u041d\u0418\u0413\u0410\u0422\u0410 \u201e\u0418\u0413\u0420\u0410\u0422\u0410 \u0412\u042a\u0412 \u0424\u0420\u0415\u041d\u0421\u041a\u0418\u0422\u0415 \u0421\u0420\u0415\u0414\u041d\u041e\u0412\u0415\u041a\u041e\u0412\u041d\u0418 \u0424\u0410\u0420\u0421\u041e\u0412\u0415\u201c<\/strong><\/p>\n<p><strong>\u0414\u0438\u043d\u0430 \u041c\u0430\u043d\u0447\u0435\u0432\u0430<\/strong><\/p>\n<p><em>New Bulgarian University<\/em><\/p>\n<p>\u0413\u0435\u043d\u043e\u0432\u0430, \u0412. (2015). <em>\u0418\u0433\u0440\u0430\u0442\u0430 \u0432\u044a\u0432 \u0444\u0440\u0435\u043d\u0441\u043a\u0438\u0442\u0435 \u0441\u0440\u0435\u0434\u043d\u043e\u0432\u0435\u043a\u043e\u0432\u043d\u0438 \u0444\u0430\u0440\u0441\u043e\u0432\u0435<\/em>.<\/p>\n<p>Sofia: Universitetsko izdatelstvo \u201eSv. Kliment Ohridski\u201c<\/p>\n<p><strong>ABOUT THE BOOK THE GAME IN FRENCH MEDIEVAL FARCES<\/strong><\/p>\n<p>Genova, V. (2015). <em>Igrata vav frenskite srednovekovni farsove<\/em>.<\/p>\n<p>Sofia: Universitetsko izdatelstvo \u201eSv. Kliment Ohridski\u201c<\/p>\n<p><strong>Prof. Dina Mancheva, DSc.<\/strong><\/p>\n<p><em>New Bulgarian University &#8211; Sofia (Bulgaria)<\/em><\/p>\n<p style=\"text-align: right;\">\u00a0<a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong style=\"font-size: 12.16px;\"><a name=\"art09\"><\/a>\u041d\u041e\u0412\u0410\u0422\u041e\u0420\u0421\u041a\u041e \u041f\u041e \u0414\u0423\u0425\u0410 \u0421\u0418 \u041f\u0420\u041e\u0423\u0427\u0412\u0410\u041d\u0415<\/strong><\/p>\n<p><strong>\u0421\u0438\u043b\u0432\u0438\u044f \u0411\u043e\u0442\u0435\u0432\u0430<\/strong><\/p>\n<p><em>Sofia University<\/em><\/p>\n<p>\u0420\u0443\u0441\u043a\u0438, \u041c. (2016). <em>\u041f\u0430\u0441\u0438\u0432\u044a\u0442 \u2013 \u0441\u0440\u0435\u0434\u0441\u0442\u0432\u043e \u0437\u0430 \u0438\u0437\u0440\u0430\u0437\u044f\u0432\u0430\u043d\u0435 \u043d\u0430 \u0430\u0432\u0442\u043e\u0440\u0438\u0442\u0435\u0442\u0430 \u0432 \u044e\u0440\u0438\u0434\u0438\u0447\u0435\u0441\u043a\u0438 \u0442\u0435\u043a\u0441\u0442\u043e\u0432\u0435.<\/em> Sofia: Universitetsko izdatelstvo \u201eSv. Kliment Ohridski\u201c<\/p>\n<p><strong>AN INNOVATIVE IN ITS ESSENCE RESEARCH<\/strong><\/p>\n<p><span style=\"font-size: 12.16px;\">\u00a0<\/span>Ruski, M. (2016). <em>Pasivat \u2013 sredstvo za izrazyavane na avtoriteta v yuridicheski tekstove<\/em>. Sofia: Sv. Kliment Ohridski.<\/p>\n<p><strong>Prof. Silvia Boteva, DSc.<\/strong><\/p>\n<p><em>University of Sofia (Bulgaria)<\/em><\/p>\n<p style=\"text-align: right;\"><a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: right;\">","protected":false},"excerpt":{"rendered":"<p>CONTENTS \/ \u0421\u042a\u0414\u042a\u0420\u0416\u0410\u041d\u0418\u0415 \u0418\u041d\u0422\u0415\u0420\u0412\u042e \/ INTERVIEW \u041f\u0440\u043e\u0444. \u0434.\u043f.\u043d. \u041b\u0435\u043e\u043d\u0438\u0434 \u041c\u043e\u0441\u043a\u043e\u0432\u043a\u0438\u043d, \u0421\u0430\u043d\u043a\u0442-\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433\u0441\u043a\u0438\u0439 \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442: \u041e\u0431\u0449\u0435\u0441\u0442\u0432\u043e \u0438\u0441\u043f\u044b\u0442\u044b\u0432\u0430\u0435\u0442 \u043f\u043e\u0442\u0440\u0435\u0431\u043d\u043e\u0441\u0442\u044c \u0432 \u0438\u0437\u0443\u0447\u0435\u043d\u0438\u0438 \u044f\u0437\u044b\u043a\u043e\u0432 [Prof. Leonid Moskovkin, DSc., Saint Petersburg State University: The Society Has a Need for Learning Languages] \/ \u041d\u0438\u043a\u043e\u043b\u0430\u0439 \u041a\u044a\u043d\u0447\u0435\u0432 \/ Nikolay Kanchev &#8211; \u0441\u0442\u0440.\/ page 495 APPLIED LINGUISTICS \/ \u041f\u0420\u0418\u041b\u041e\u0416\u041d\u0410 \u041b\u0418\u041d\u0413\u0412\u0418\u0421\u0422\u0418\u041a\u0410 \u0410\u043d\u0430\u043b\u0438\u0437\u044a\u0442 \u043d\u0430 \u0440\u0430\u0437\u0433\u043e\u0432\u043e\u0440\u0430: \u043e\u0442 \u0441\u043e\u0446\u0438\u0430\u043b\u043d\u0438\u044f [&hellip;]<\/p>","protected":false},"author":94,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":"","format":"standard","video":"","gallery":"","source_name":"","source_url":"","via_name":"","via_url":"","override_template":"0","override":[{"single_blog_custom":"","parallax":"0","fullscreen":"0","sidebar":"","second_sidebar":"","sticky_sidebar":"0","share_position":"","share_float_style":"","show_share_counter":"0","show_view_counter":"0","show_featured":"0","show_post_meta":"0","show_post_author":"0","show_post_author_image":"0","show_post_date":"0","post_date_format":"","post_date_format_custom":"","show_post_category":"0","show_post_reading_time":"0","post_reading_time_wpm":"","show_post_tag":"0","show_prev_next_post":"0","show_popup_post":"0","number_popup_post":"1","show_author_box":"0","show_post_related":"0","show_inline_post_related":"0"}],"override_image_size":"0","image_override":[{"single_post_thumbnail_size":"","single_post_gallery_size":""}],"trending_post":"0","trending_post_position":"","trending_post_label":""},"jnews_primary_category":{"id":""}},"categories":[3494],"tags":[],"yoast_head":"<!-- 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Languages] \/ \u041d\u0438\u043a\u043e\u043b\u0430\u0439 \u041a\u044a\u043d\u0447\u0435\u0432 \/ Nikolay Kanchev &#8211; \u0441\u0442\u0440.\/ page 495 APPLIED LINGUISTICS \/ \u041f\u0420\u0418\u041b\u041e\u0416\u041d\u0410 \u041b\u0418\u041d\u0413\u0412\u0418\u0421\u0422\u0418\u041a\u0410 \u0410\u043d\u0430\u043b\u0438\u0437\u044a\u0442 \u043d\u0430 \u0440\u0430\u0437\u0433\u043e\u0432\u043e\u0440\u0430: \u043e\u0442 \u0441\u043e\u0446\u0438\u0430\u043b\u043d\u0438\u044f [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/pedagogy.azbuki.bg\/languages\/foreignarticle2016-2\/5-xliv-2017\/\" \/>\n<meta property=\"og:site_name\" content=\"\u0410\u0437-\u0431\u0443\u043a\u0438\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Azbuki55\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-10-30T12:15:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-08-16T10:48:25+00:00\" \/>\n<meta property=\"og:image\" 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